Two special issues of academic journals have been published in the last few weeks, both edited by Tim Edensor at MMU.
Firstly, Cultural Geographies features a themed issue on ‘Geographies of Darkness’. http://cgj.sagepub.com/content/current
Pip Thornton elaborates on her work as a soldier on the Iraq battlefield and the her experience of the British Military deployment of lighting, night vision equipment and darkness. These strategies exemplify the lop-sided power relations between the two forces on the battlefield. Pip’s work is previously featured on this blog: http://www.lightresearch.mmu.ac.uk/light-discipline-bodies-and-power-on-the-battlefield. Robert Shaw discusses how darkness in the home may be experienced positively or negatively, may be a source of insecurity but also a condition that fosters intimacy, conviviality and an oppenness to the other. Also featured on this blog is Tim Edensor and Emily Falconer’s research at Dans Le Noir, the London restaurant that invites people to dine in the dark: http://www.lightresearch.mmu.ac.uk/dans-le-noir. Again, darkness is ambivalent, enhancing the taste of food, soliciting social interaction and providing a sense of mystery and imagination for some; a site of confusion and peril for others. Oliver Dunnett focuses upon the moral geographies that have been mobilized in the establishment of dark sky parks in the UK, and foreground an ‘astronomical sublime’ and the desirability of the rural in opposition to the urban. Finally, Phillip Vannini and Jonathan Taggart look at how Canadian off-gridders who move away from modern living to dwell in the wilderness , must generate their own source of illumination using modest technologies that only provide some light and necessitate a more habitual encounter with the gloom that has been banished from most cities.
Secondly, The Senses and Society features a special issue on ‘Sensing and Perceiving with Light and Dark’ which focuses upon various forms of Light Art. http://www.tandfonline.com/toc/rfss20/10/2
Tim Edensor looks at the work of James Turrell, Carlos Cruz Diez, Olafur Eliasson and Tino Seghal, all of whose work is discussed more briefly on this blog. Harriet Hawkins explores the sensuous light art of Pipilotti Rist through a feminist lens, and Shanti Sumartojo and Sarah Barns investigate the atmospheres produced at a projection event on the buildings at Australia’s National niversity in Canberra. Johanne Sloan explores the impact of three light works: Michel de Broin’s giant mirrorball suspended above the streets of Paris, Phillip Parreno’s nostalgic cinematic marquees, and the illuminated lanterns of Weppler and Mahovsky that masqueraded as commodities in the shop fronts of a Toronto street. Elena Papadaki focuses upon Rafael Lozano-Hemmer’s extraordinary’ Under Scan’, situated in Trafalgar Square, that used powerful lights to produce shadows of passers-by into which were projected the images of other people, as well as Gregory Markopoulos’ ‘Eniaios’, a film projected onto a vast screen situated in a dark Greek Valley. Finally, Joni Palmer elaborates upon the more vernacular creation of a Glass Garden in New Mexico that reflects the light of this luminous landscape, as featured in an earlier entry on this blog: http://www.lightresearch.mmu.ac.uk/ardell-scartaccini-new-mexico-glass-garden
October 19th, 2015 - 14:53pm